Vampire Characteristics in Children's and Teens Books
What are the vampire's characteristics within Children's picture books and Teen novels? What are we telling them in the pages of their books about this most thirsty of creatures? Are we writing them a morality tale that will influence them to view it as a threat, or as a friend who just happens to be life-challenged? Or do we view these books as mere entertainment, ignoring all that we know about books denoting authority. (As a college instructor, we definitely place more value on a printed book than upon a website. Cognitively speaking, the more time the input is repeated, the more deeply the belief in its verity is ingrained.) So, when the vampires we expose a child to are sweet, kind, and very like themselves, only un-alive, and we give them a steady diet of the Count on Sesame Street, who we all know is more fascinated by numbering items than he is in blood-sucking, and Count Chockula, who eats more chocolate than anything else, and the vampire costumed kid on Halloween, just what are we selling them?(Of course, the question could be asked, do we care?) If we do care that we are giving our children a skewed view of a potentially dangerous creature, (yeah, I know they don't exist, but still)should we ask ourselves what it is we are promoting, and why some author, editor, publishing house, bookstore, and parent feel that this is the view we want to indoctrinate the young reader within? And again, is there a difference between the vampire of the teen and that of the child? And what does that difference tell us about children, and about ourselves? How are the children represented, as victim, slayer, or friend? My class and I constructed the following list of characteristics, and I have winnowed it down since I read fairly broadly in the field to make selections for my class. For the most part, they don't go out at night. This very much holds true in stories for younger children, and in some of the teen stories. Notable exceptions Twilight Series and the Betrayed series. They are extremely page skinned -- possibly from never getting to go outside in daylight.They live within highly structured societies, with strict rules about interactions with humans. While they are blood-drinkers, they rarely kill humans, the source of their blood. This could arguably be because in an era of CSI, it is hard to dispose of corpses. When they interact with humans who are aware of their existence, they declare that they are not evil, and that they have no evil intent towards humans. They usually befriend the main characters, or in the case of teens, they become romantically involved with the main characters. Of course, this causes tension, since in order to remain together for the eternity vampires have, the teen would have to die and become undead. Pretty much across the board, Christian elements are downplayed. If they come up at all, the reader is told, "those only work in books." Although the occasional novel will have Holy items cause the vampire discomfort. Slayers are cast as evil, left out of the vampire/victim trinity. Think about this for a moment. From the perspective of the vampire the slayer is attempting to end its non-live (life? existence?). And the protagonists are usually friends of, or lovers of the vampire who is being threatened with dissolution. I am going to believe that anyone who threatens to "kill" my friend is evil. Vampires are outcasts from general human society in most of these works. They are "different." Yet the child knows that they look just the same -- well, paler perhaps -- as the people the child knows. Diversity anyone? We are supposed to accept "People" who are from different cultures, and not to expect them to embrace our own culture. (Well, the vampire does a whole bunch of embracing at the neck level.)In many ways, these stories work the same as any other story within the given genre. The friend just happens to be a vampire, the lover in the romance just happens to be of the vampire persuasion, the detective just happens to embrace the night even better than the human criminal.

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